Adjust the I think you're referring to Bus Compression, similar to the master bus compressor we have in Reason. Thread starter typhy; Start date Oct 11, 2011; T. typhy New member. Press question mark to learn the rest of the keyboard shortcuts Found the internet! Usually the settings are fast attack autorelease on drum bus , but how about hip hop ? Mix Better Now. Start from 0dB and then lower your threshold (turn up the knob) until you It thickens the whole drum track. After you've zeroed in the attack and release, set the ratio and threshold to less extreme settings and you're done. Attack is set to 30 milliseconds, that happens to be the slowest attack setting on this compressor. 6. Settings for drum bus compressor for hip hop. Some good and (to my This buss will play along with your current drum buss, hence parallel. There is absolutely no such thing as a one size fits all ratio for compressing drums. Instead, set the compressors attack to kick in just after the initial attack so that the drum track keeps its initial crack and snap. When it's set too slow, the compression can last too long. I usually use the slowest attack setting on the G series comp and Hip hop drums/beat can slow, can be fast, can be sparsely arranged, can be heavily layered. The same concept applies when using compression. For the best results, apply several coats, or stages, of compression. Start by applying a layer of compression on the individual drum tracks in your mix. For example, you might apply some light compression to the kick and snare. Hip hop drums/beat can slow, can be fast, can be sparsely arranged, can be heavily layered. The Medium setting applies a limiting-based distortion A bus compressor can really add some magic, but if the wrong settings are dialed in, it can really ruin your drums & you can lose your punch & energy. Slow Attack Time - Attack tells the compressor when to start the compression. 291 Dislike Share Save. A good starting point is to set the attack to 1. If your compressor allows for it, we would recommend going even smaller around 1:5:1 . Dec 14, 2016. He added a master fader for the drum bus on which he inserted several effects: FabFilter Pro Q2, an equalizer; UAD API 2500, a compressor; and two Soundtoys distortion plug-ins, Decapitator and Devil-Loc Deluxe. As noted, your drum bus compressor's attack and release settings are extremely important when it comes to your drum bus compression. You can go overboard really quickly so blend to taste and use your best judgement on how much of the effect you want. Whereas drum bus compression is used to create a sense of uniformity amongst all drum tracks, parallel compression is used to squash the signal for a lack of a better term, and then amplify the lower-level aspects of the signal. Parallel compression can be used in tandem with bus compression to improve the sound of drums. Softube TLA-100A. Compression on Drum Bus ? Load up the compressor of your choice and either choose a preset you like or start on default settings. The primary settings that will affect the timbre and tonality of your drum bus are the attack and release of your drum bus compressor. If you set too quick of an attack, youll cause the compressor to attenuate the transients of your drums, in turn making them have less impact. Posted by 2 years ago. To wrap it all up, here are some key takeaways you should keep in mind when you apply mix bus compression to your mix. Archived. The last thing you want is aggressive compression smashing your beautifully dynamic mix to smithereens. Start playing a section of your original drum tracks, and then slowly start pushing up the new parallel tracks fader until you start hearing the punch of the kick and snare. Setting Attack & Release Times On Your Drum Bus | Mix Better Now Here's an overview on how to dial in the Therefore this gives you a 9dB (90%) gain reduction which is much harder. Perhaps the most used processing tool in a mix engineers set is the Because mix bus compression affects the entire mix , subtlety is crucial. This is the main purpose of the drum group compression. Route the drums (and often also the bass) to a buss with a stereo compressor inserted. So a kick drum hit goes 10dB over the threshold and you used a ratio of 10:1, the compressor would let just 1dB out that hasnt been compressed. Best settings will be dependent on what the material is specifically. This ratio should give you the control you need to create a punchy and There are three distortion modes- The Soft setting applies a waveshaping-based distortion to the signal. In the case of the Drum Buss, the drive functions as a gain knob that introduces distortion to the signal based on the distortion mode selected. Unlike most compressors, there is no threshold knob. For drum compression, the punchiest settings generally use a slow attack time to allow the transients to pass through. Turning up the Input knob sends signal into it, while also setting the threshold level or where the compression starts kicking in. Here are the steps to Track, Bus and Parallel Compression for Mixing Drums; 1. Usually a medium release time is perfect for the job. The kick is softer in feel than the API 225L, and the snare distortion at the end of its envelope is nicely filled out. Best Kick Drum Compression Ratio Setting. A good place to start with a kick drum (or just about any drum) is 4:1. You can of course tweak this to taste to fit how you want it to sound Close. Some good and (to my recollection) not very resource intensive compressors are: Waves API-2500. 1. Press J to jump to the feed. The Output knob is used for making up any gain lost during compression, and sets the final output level of the unit. Harmonic Distortion Following Bus Compression. It is often recommended to use a slow attack and a The aim is to only have about 1dB of gain reduction so adjust your threshold accordingly. 27.2K subscribers. Best settings will be dependent on what the material is specifically. Using High Ratio Settings. The multitrack drum tracks, except for the cymbals and some percussion, are being sent to an aux bus called DRUMS. Then, slowly increase the release time until the compressor starts to breathe in time with the song. Compression and limiting. Compressing the whole drum group gels all the drums together and make them form a more cohesive blend. This is a pretty standard sort of setting for this kind of compressor for me. The 2500 at these settings (and this is an infinite:1) does have more coloration from distortion and gluing the whole kit together with a beautiful straight up solid feel. UADs emulation. The needle should bounce up 3-6 dB when the drum is hit, then just before Starting with the ratio, I typically find that keeping my bus So moving on, next thing in my chain is my go-to drum buss compressor, APIs 2500. While compression settings are always specific to the project, we want to go over a good starting point for drum bus compression. Set the ratio very high and lower the threshold to achieve about 12 or more dB of gain reduction, and sweep the attack and release knobs to find the times that lock in with the groove and sound the best to you. 2:1 Ratio - Parallel compression of the drums. Another way to compress the drums is to use parallel compression. If you decide to use mix bus compression, set up your compressor SSL Bus Compressor (Waves) There are two approaches to setting the release time on drums: Approach #1 Set The Most of the time, a 2:1 ratio will do the trick. Essentially you want a low ratio (2:1) with a slow attack and fast release. 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